Gregory Baker's Headshot

Department

  • English

    • School

  • School of Arts and Sciences

    • Expertise

  • 20th-century Irish and British literature
  • Modernism
  • Reception theory and translation studies
  • History of classical studies on the British Isles
  • Literary multilingualism and comparative literature

    • Profile

    Gregory Baker is Associate Professor of English and Director of Irish Studies at Catholic University. He specializes in modern Irish and British literature and publishes in the fields of classical reception and comparative modernism. His research is especially invested in studying the prominent 'afterlives' of Greek and Roman antiquity within literary avant-garde movements of the twentieth century.

    His book, Classics and Celtic Literary Modernism: Yeats, Joyce, MacDiarmid and Jones, appeared with Cambridge University Press in February 2022. It examines the work of W. B. Yeats, James Joyce, David Jones and Hugh MacDiarmid at length, showing how new forms of modernist literary expression emerged in their creative work, as the evolution of classical education, the insurgent power of cultural nationalisms and the desire for artistic transformation converged across Ireland, Scotland and Wales. In addition to this study, other publications include work on the Scottish nationalist, classicist and translator, Douglas Young, as well as the annotated bibliography for volume 5 of The Oxford History of Classical Reception in English Literature. Dr. Baker's current research explores how Greek and Latin learning, and the broad cultural expectations surrounding classics, have impacted post-World War II Irish, African, Caribbean and Antipodean poetry. His work aims to counterpoint, comparatively, the interactions of different institutional and artistic forms of classical reception in this period—a time of profound political change and striking literary experimentation due, in part, to the decolonization of the British imperial state.

    Dr. Baker directs the interdisciplinary undergraduate program for Irish Studies while teaching a regular rotation of courses in twentieth-century Irish and British literature. In past semesters he has taught classes on the history of drama, and on the history of the novel, on the work of Geoffrey Hill and of Seamus Heaney, on the poetry of world war, and on the major writings of W. B. Yeats, T. S. Eliot, Ezra Pound and James Joyce.

    He earned his doctorate in Comparative Literature at Brown University. His undergraduate degree was in Classical Studies at the University of Chicago.

    Publications